“Trout Pond” — a Variation after the Theme of the Song “The Trout” by Franz Schubert, Op. 23


About the album:

Five contemporary Variations on Schubert’s TROUT QUINTET 

“Silke Avenhaus had wanted to record Schubert’s Trout Quintet for a long time. Now five European composers were additionally asked to quasi-casually prolong Schubert’s ambivalences into the present by supplying their own variations. The commission called for works that were to be limited in length, and each composer was asked to focus his attention on a particular instrument. Although all of their pieces are based on the Trout theme, the resulting works vary utterly in terms of character and tempo. As Avenhaus puts it, this is a “godsend”. The new compositions can be grasped as individual movements of a contemporary Trout quintet,but one can also combine them in several different ways.

Is this a “sunny piece”? Cheerful? Carelessly babbling like a brook? It tends to be exclusively associated with positive images, but pianist Silke Avenhaus, the initiator of the “Trout Project”, contrasts all of this with the work’s fundamental ambivalence. In Schubert’s quintet she finds a mixture of lightness and melancholy. The first movement’s insouciance, for instance, is almost casually obliterated in the second one. Schubert does not hold fast to any mood or attitude for long: ambivalence continues to hold sway, and it is a trait she particularly appreciates.

The double bass and the cello form a strong bass section in this particular piano quintet. The line-up may have been unusual and difficult to score in terms of timbre, but Schubert skillfully made best of the situation by expanding the range of different sonorities to the maximum. The low strings fathom the underground. Conversely, the piano, often playing in octaves for long stretches in the upper range, carries out the assigned role of shining brightly on the mountain peaks. The middle range is tenderly filled out by the other strings. The resulting musical texture seems to float in midair.” (From the liner notes by Elgin Heuerding)


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2022 Alterations on the Istrian Folk Anthem — for Orchestra (Op. 29) & for Piano (Op. 29a)
2022 “Kaleidoscope” for Clarinet or Violin, Violoncello and Piano, Op. 28
2021 Rhapsody in Istrian Style — for Piano solo
2021 W. A. Mozart / arr. D. Lazić: Adagio in B minor, K. 540 — for String Quartet
2020 Cadenzas & Lead-ins for 6 Piano Concertos by W. A. Mozart
2020 F. Schubert / arr. D. Lazić: “The Shepherd on the Rock” — for Piano solo
2019 “S.C.H.E.rzo“ for Orchestra, Op. 25
2018 Cadenzas for the Piano Concertos by Joseph Haydn
2018 “Trout Pond” — a Variation after the Theme of the Song “The Trout” by Franz Schubert, Op. 23
2018 W. A. Mozart / arr. D. Lazić: ”Rondo Concertante” after ”Allegretto grazioso“ from Piano Sonata in B-flat major, K. 333
2017 Cadenzas for the Piano Concertos by Ludwig van Beethoven
2017 “Mozart and Salieri” — Symphonic Poem inspired by Alexander Pushkin’s eponymous drama, Op. 21
2014 Piano Concerto in Istrian Style, Op. 18
2009 J. Brahms / arr. D. Lazić: Piano Concerto ”No. 3” in D Major (after Violin Concerto, Op. 77) with Cadenza by Dejan Lazić
2008 “Istrian Dance“, Op. 15a
2005 “Kinderszenen“ – Hommage a Schumann, Op. 15
2003 “The Storm“ – 8 Miniatures for Orchestra, Op. 14
2001 “Jupiter and Beyond the Infinite“: Fantasy for Flute, Viola and Piano, Op. 13
Rachmaninov: Moment Musicaux op. 16, No. 1: Andantino (excerpt)